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DaVinci Resolve 16.1.2 Key adds support for additional metadata from URSA Mini cameras that give you a new powerful ‘power’ to create smart bins, organize footage, filter clips and more when editing and color correcting easier and faster than ever before. In addition, it also provides additional sorting and filtering options for both editors and colorists and much more. DaVinci Resolve Studio also provides additional sorting and filtering options for both editors and colorists. It features advanced editing and color filtering options, support for additional URSA Mini camera metadata, color space tags on QuickTime export, etc.

Re: Mac mini Davinci Resolve Studio 16.2 Tue Apr 07, 2020 9:21 pm That Mac Mini (Macmini8,1) should work fine for simple editing in 1080p without color grading. Last week, Apple announced upgrades to the venerable Mac mini. And this upgrade turned a diminutive system into a powerhouse. So much so that I’m getting a ton of email about whether we can use the Mac mini for video editing. The short answer is: Yes. NOTE: Here’s a hands-on article on using the Mac mini for video editing with Final Cut Pro. He tests out the i7 Mac Mini in FCPX, DaVinci Resolve, Adobe Premiere Pro and Avid Media Composer. If you don’t want to enjoy the full 24 minute walk-through you can read your way through all of Michael’s findings and conclusions in this very detailed accompanying blog post. Scroll all the way to the bottom to see whether Michael would.

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DaVinci Resolve Studio
The free version of DaVinci Resolve has all of the professional editing, legendary color correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur, and mist effects, match move, warping and much more!

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Fairlight mixing consoles provide high-quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world! Desktop and free-standing consoles are available in a variety of configurations to meet the needs of your facility.

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Mac, Windows, and Linux
DaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you’re running Red Hat or CentOS Linux, you can even build your own workstation using low-cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own supercomputer for incredible real-time performance!

Screenshot:

What’s New In Davinci Resolve 16.1.2?

  • Support for IMF and DCP renders in different audio file formats.
  • So, Adds support for the latest update to Blackmagic URSA Broadcast in Blackmagic RAW.
  • Improved decoding and encoding performance of DCP and IMF formats in Kakadu.
  • So, Enhanced zoom buttons on the Edit tab for the timeline.
  • Better responsiveness with the DaVinciResolve Editor Keyboard using shuttle.
  • A better smart predictor when using point in and out on the cut list.
  • So, New scripting APIs for transferring media objects, LUTs, markers, classes to copy and more.
  • Improved performance of numerous DaVinci programs in collaborative projects.
  • So, Enhancements of numerous outputs and reliability.

Further Info About:

  • Language: English
  • So, Size: 48 MB
  • Supplier: Softland
  • So, System: Windows / 7/8/10/Vista/XP/Mac
  • Latest Version: 9.6 Build 245

Operating System:

  • So, Windows XP
  • So, Windows Vista
  • For Windows 7
  • Windows 8, 8.1
  • So, For Windows 10

Framework Requirements

The following are the bare necessities for working and running!

  • Microsoft Windows XP SP3/WIN 7/WIN 8/WIN 10/VISTA
  • AMD, INTEL or whatever another good processor, with a work recurrence of 1.5GHz or higher.
  • 256 Mb RAM
  • 1024×768 pixels with 16-bit shading or higher for screen determination
  • Microsoft DirectX 9.0c or higher
  • Disk space of no less than 50 Mb or higher
  • Administrator authorizations are required for the establishment and enactment of the program
  • Internet association with initiate the paid adaptation of the program

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  • So, The support of the slope apparatus
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  • Editing of 4k and 2k determination recordings
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  • So, Gathering of a few items, on the scene into resentment for utilization of required impacts, for a whole gathering through the sprite impact.
  • Creation of old motion picture impacts by including scratches, shakes, clean and commotion to the video.
  • So, Working with, a few soundtracks all the while.
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For

Cons

  • It is extreme and difficult to figure out how to utilize VSDC Video supervisor
  • There is no accessible data with a guide on the best way to utilize it.

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[ Updated Dec. 16, 2018, with revisions to my recommendations based on additional personal experience. ]

Last week, Apple announced upgrades to the venerable Mac mini. And this upgrade turned a diminutive system into a powerhouse. So much so that I’m getting a ton of email about whether we can use the Mac mini for video editing.

The short answer is: Yes.

NOTE: Here’s a hands-on article on using the Mac mini for video editing with Final Cut Pro X. This provides real-world performance data.


Like all computers, you get the best possible performance by buying a fully-tricked out, top of the line system. And, like all computers, that may require more money than you have to spend.

So the purpose of this article is to help you prioritize balancing cost vs. performance.

SYSTEM DESCRIPTION

(All images courtesy of Apple.)

Based on my research, the new Mac mini is a solid machine for video editing, with the ability to configure the system with up to 64GB of RAM, a 6-core Intel i7 desktop-class processor, and a 10Gigabit Ethernet port. The I/O available on the new Mac mini allows users to connect a number of devices through its 4 Thunderbolt 3 ports, 2 USB-A ports, HDMI 2.0 port, and analog audio output jack. With these ports, you can connect a 5K display plus a separate 4K display, or up to three 4K displays.

NOTE: The system offers Thunderbolt 3 (USB-C) ports, this means that you’ll need to purchase an adapter to connect any Thunderbolt 2 devices. These adapters are readily available from a number of vendors, including Apple, for about $50.

Links

  • Mac mini Overview: www.apple.com/mac-mini/
  • Mac mini Tech Specs: www.apple.com/mac-mini/specs/

The system also natively supports:

  • Up to three 4K displays:

Two displays with 4096-by-2304 resolution at 60Hz connected via Thunderbolt 3 plus one display with 4096-by-2160 resolution at 60Hz connected via HDMI 2.0.

– OR –

  • Up to two displays:

One display with 5120-by-2880 resolution at 60Hz connected via Thunderbolt 3 plus one display with 4096-by-2160 resolution at 60Hz connected via HDMI 2.0

LARRY’S PRIORITIES

When it comes to optimizing a computer system for video editing, when you can’t purchase the top of the line, here are my spending priorities:

  1. GPU
  2. RAM
  3. Storage speed and capacity
  4. CPU speed

Increasingly, both Final Cut Pro X and Adobe Premiere Pro CC are leveraging the GPU for effects, rendering and export. However, the Mac mini does not give us an internal choice for GPU.

When it comes to optimizing a computer system for video compression, my priorities shift:

  1. CPU speed
  2. Storage capacity and speed
  3. RAM
  4. GPU

While some video transcoding and compressing codecs are multi-threaded (which means they take advantage of multiple cores in a CPU), many others are not. These single-threaded codecs take advantage of pure CPU speed more than the GPU.

UPDATE: I’ve been using the Mac mini outlined here for about two weeks, and running a series of media compression tests with it. Based on this, I’ve changed my recommendations for both RAM and SSD capacity.

THOUGHTS ON THE GPU

Here’s the key point behind deciding which GPU to get. A graphics processing unit is optimized for pixel manipulations: texturing, rendering, color grading, exporting… anything that involves manipulating the colors of pixels. All you are getting when you purchase a “higher-grade” GPU is more speed. Not better quality, just speed.

If you are a student, a hobbyist, or someone with indeterminate deadlines, there’s no compelling reason to get a faster GPU; the faster speed doesn’t justify the cost. If you are someone living with constant deadlines, who does a lot of effects and color grading, and needs projects exported “yesterday or sooner,” then a faster GPU makes sense.

One of the big limitations of the original Mac mini was its reliance on an Intel Iris graphics card. This was woefully underpowered for any serious graphics work, such as video editing.

That changed with the latest release. All configurations of the new Mac mini use the Intel UHD Graphics 630 card. For editors who are working primarily in HD with limited motion graphics and effects, or who have deadlines that are flexible, the Intel UHD Graphics 630 will work well.

For users who need faster performance, for example, working at higher resolutions such as 4K, with RAW video, or with more complex graphics and effects, the Blackmagic eGPU or newly announced Blackmagic eGPU Pro are great options for these types of graphics-intensive tasks. The updated eGPU Pro includes a Radeon RX Vega 56 graphics card with 8GB of high bandwidth memory. The card offers similar performance to the graphics card in iMac Pro.

Links

  • Here’s a link for more information on the Blackmagic Design eGPU: www.blackmagicdesign.com/products/blackmagicegpu/
  • Here’s an Apple KnowledgeBase article on how to setup FCP X in macOS Mojave for an external eGPU: support.apple.com/en-us/HT209134

My recommendation is to go with the internal GPU, until you find yourself spending too much time waiting. A slower GPU does NOT mean you can’t edit, it simply means that tasks like rendering and exporting may take a little longer. If you need more speed, add an external GPU as your budget allows.


THOUGHTS ON RAM

The Mac mini ships with a minimum of 8 GB of RAM, which can be user-upgraded to 16, 32, or 64 GB. The good news here is that you can upgrade the RAM at any time, without needing to make a decision at the time of purchase.

8 GB of RAM is fine for HD editing in both Final Cut and Premiere. 4K and above frame sizes benefit from 16 GB of RAM. I have not found a compelling reason to install more than 32 GB of RAM. While the extra RAM won’t hurt, you won’t see as big a performance boost as you will by going from 8 to 32 GB of RAM. (As a note, all my iMac systems have 32 GB of RAM.)

While you can buy RAM from Apple and have it factory-installed, you can save hundreds of dollars by buying RAM from reputable third-party companies like Crucial or OWC.

UPDATE: My revised recommendation is that for a video compression system, 8 GB of RAM is fine. For video editing, more RAM is better. To keep costs low, you can purchase the minimum 8 GB configuration, then upgrade to at least 16 GB from a third-party source as you need more. If your workflow feels fast enough, you have enough RAM. If you are spending too much time waiting – add more.

THOUGHTS ON THE CPU

Apple makes it hard to compare CPUs because one is an i3, another is an i5 and the third is an i7. In looking for an understanding of the differences, I found this recent PC Magazine article:

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“If you want a plain and simple answer, then generally speaking, Core i7s are better than Core i5s, which are in turn better than Core i3s. Nope, Core i7 does not have seven cores nor does Core i3 have three cores. The numbers are simply indicative of their relative processing powers.

“The more cores there are, the more tasks (known as threads) can be served at the same time. The lowest number of cores can be found in Core i3 CPUs, i.e., which have only two cores. Currently, all Core i3s are dual-core processors.” [i5 CPUs are quad core, but] “they don’t support Hyper-Threading [which is the ability of] a single core to serve multiple threads.

“This is one of the many reasons why Core i7 processors are the creme de la creme. Not only are they quad cores, they also support Hyper-Threading. Thus, a total of eight threads can run on them at the same time.

“The upshot is that if you do a lot of things at the same time on your PC, then it might be worth forking out a bit more for an i5 or i7. However, if you use your PC to check emails, do some banking, read the news, and download a bit of music, you might be equally served by the cheaper i3.”

Here’s the link to the full article: www.pcworld.idg.com.au/article/386100/what_difference_between_an_intel_core_i3_i5_i7_/

My recommendation is to upgrade to the 6-core i7. Video editing and compression, especially at larger frame sizes, requires a beefy processor. Also, it’s important to mention that these are all Intel 8th-generation 65W desktop-class processors — not mobile processors meant for notebook computers.

THOUGHTS ON STORAGE

The Mac mini comes with up to 2 TB of internal SSD which, according to reports, is blindingly fast. The problem is that in today’s media environment, 2 TB is not enough storage.

I regularly shoot projects that take multiple terabytes of storage. So, even if I invested in a 2 TB SSD, I’d still need to buy external storage. Remember, also, as your frame sizes increase or you move to HDR or high-bit-depth media, a single spinning hard drive won’t be enough. You’ll either need to purchase a RAID or another SSD.

Frankly, for a full suite of editing apps, plus the macOS, you really only need 100 GB of storage. So if you are on a tight budget, a 256 GB SSD will be enough. Personally, I like having a bit more space for exports and working files.

UPDATE My recommendation is the 512 GB SSD and reserve it for the macOS, applications and general workspace. Then, store all your and projects on externally connected media using Thunderbolt 3; preferably a RAID. After using this system for two weeks specifically for video compression, I find that the 512 SSD is the sweet spot for storage. 256 GB is acceptable, but very limiting when you need to create high-quality work files.

THOUGHTS ON INTERCONNECTION

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For the first time since the iMac Pro, the new Mac mini includes the option to install 10 Gb Ethernet port. This option is especially useful for users who keep media on shared storage or for configurations that require high-bandwidth networking today or in the future.

For comparison, a 1 Gb Ethernet connection can transfer data up to 128 MB/second. A 10 Gb Ethernet connection can transfer data up to 1.25 GB/second; ten times faster. However, there are several “gotchas” here, because to take full advantage of this high-speed connection you will also need:

  • Servers that attach to the switch using 10 Gb Ethernet or faster
  • A data switch capable of processing data at 10 Gb speeds
  • Cat 6 or 6e cabling between the switch and your computer.
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I fully applaud Apple for adding this connection – it is valuable and needed! However, unless the rest of your network also supports 10 Gb Ethernet – or will be upgraded to do so – adding this option won’t make any difference in your data transfer speeds.

HERE’S MY RECOMMENDED CONFIGURATION

This screen shot illustrates what I recommend. Regardless of which Mac mini you start with, you’ll end up at the same configuration for the same price: $1,499 (US). Also, remember that the Mac mini is just the computer, you’ll also need to purchase a monitor, keyboard and mouse.

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UPDATE: This is the system I purchased and I’m very happy with the system. It is a workhorse for media compression – which is my principle reason for buying the unit. I only use it as a back-up system for video editing. I’m also planning on using it as a media asset management server, I’ll have more on that after the first of the year.

EXTRA CREDIT

Here are two relevant articles that may also be of interest to you:

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